“more poles than holes” uses light as its main tool of seduction. The warm glow skims across her skin, highlighting textures, curves, and shadows. Nothing is fully revealed, yet everything feels heated. “more poles than holes” excels in crafting an atmosphere where a raised eyebrow or slow inhale can feel electric. The performer’s movements are slow and melodic, almost like a personal ritual. In “more poles than holes,” she never rushes; she invites the viewer into her space with a quiet, magnetic pull. The camera dances around her frame, capturing moments of almost-contact that heighten the tension without violating any boundaries. It’s sensual, artistic, and emotionally rich.